China Fears India May Be Edging It Out in Culture : \u0926\u0902\u0917\u0932 \u092b\u093f\u0932\u094d\u092e \u0915\u093e \u0905\u0938\u0930<\/p>\n
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The New York Times \u2013 30 September 2017<\/p>\n
BEIJING \u2014 One of the most popular movies in\u00a0China<\/a>\u00a0over the summer ran 161 minutes, so long that it was sometimes shown with an intermission. Unlike Hollywood blockbusters, there were no special effects, speeding cars or epic battle scenes. Nor was the film a Chinese production with a Chinese cast.<\/p>\n Instead, it won over audiences with a simple but powerful tale: the true story of a man\u2019s quest to train two daughters to become world-class wrestlers \u2014 in\u00a0India<\/a>.<\/p>\n Featuring the Bollywood star Aamir Khan, \u201cDangal<\/a>\u201d was India\u2019s first big hit at the Chinese box office. It took in more than $194 million in two months, making it one of the 20 highest-grossing films of all time in China. In cinemas across the country, moviegoers cheered and grew misty-eyed in one particularly moving scene as the Indian flag was raised to the tune of the Indian national anthem.<\/p>\n While China\u2019s film industry has long sought both to emulate and compete with Hollywood, the runaway success of \u201cDangal\u201d has prompted Chinese production companies to turn their gaze from West to East. Suddenly, Chinese companies are racing to snap up all things Bollywood \u2014 partnerships and distribution rights, but also Indian directors and screenwriters. And that has led to some unease.<\/p>\n China and India are engaged in a wary competition for regional influence and leadership. For much of the summer, the two nations were\u00a0locked in a border standoff\u00a0<\/a>over a remote mountain pass in the Himalayas.<\/p>\n But more and more, the two Asian giants are also competing to project soft power \u2014 or cultural influence \u2014 outside their borders. And \u201cDangal\u201d has revived concerns in China that it is falling behind.<\/p>\n \u201cChina\u2019s development has been very comprehensive in terms of politics, economics and military,\u201d said Jiang Jingkui, director of the Southeast Asian Research Institute at Peking University.<\/p>\n \u201cBut in terms of soft power, India has done better than China,\u201d Mr. Jiang said. \u201cAlthough India\u2019s economy is not as developed, they have put a huge emphasis on promoting their culture, including things like Buddhist traditions and yoga.\u201d<\/p>\n China\u2019s anxieties about India are colored to an extent by widespread stereotyping. People here often invoke India as an example for why China, with its even larger population, is not ready for democracy.<\/p>\n Some call Indians \u201ca-san,\u201d a derogatory term that was once used to refer to the Sikh guards who worked in Shanghai\u2019s British settlement in the late 19th and early 20th centuries. In more recent years, the public perception of India has largely been shaped by Chinese state media, which tends to highlight stories on India\u2019s caste system and the treatment of women in Indian society.<\/p>\n At times, those state media reports have taken on blatantly racist overtones. In August, Xinhua, the official news agency, released a short video exhorting India to retreat from the continuing standoff at the Sikkim border. The three-minute clip featured someone wearing a turban and a fake beard in an\u00a0apparent attempt<\/a>\u00a0to mock Sikhs, who make up a religious minority in India.<\/p>\n Experts say that underpinning such views is a belief widely shared among Chinese that while India may be a regional force to be reckoned with, it also lags behind China in terms of development. According to a\u00a0survey<\/a>\u00a0by the Pew Research Center published last year, just 26 percent of Chinese hold a favorable view of India, down from 33 percent in 2006. (The feeling is apparently mutual: Another Pew Research Center\u00a0survey<\/a>\u00a0from last year showed that just 31 percent of Indians view China favorably.)<\/p>\n Even today, the word that most often comes up in discussions about India is luan \u2014 or chaos.<\/p>\n \u201cThere\u2019s a perception among Chinese that India is dirty and unsafe,\u201d said Tansen Sen, a history professor at New York University Shanghai. \u201cEven though Indian movies have been popular, Chinese tourists still don\u2019t go to India. They would rather go to Sri Lanka or Nepal.\u201d<\/p>\n Indians, for their part, are also less than enthusiastic about China. Ever since 1962, when the two countries engaged in a brief but bloody border war, India has been highly suspicious of China and its intentions.<\/p>\n While both countries have made\u00a0overtures toward friendship<\/a>\u00a0over the years, touting their 2,000 years of contact and shared Buddhist traditions, in last year\u2019s Pew survey, many Indians expressed concerns about a number of topics, including China\u2019s economic impact on India (70 percent), China\u2019s growing military power (69 percent), China\u2019s relationship with Pakistan (48 percent), India\u2019s main rival, and Chinese and Indian territorial disputes (69 percent).<\/p>\n \u201cThe newspapers in India all tend to reinforce the same view,\u201d said Mr. Sen, who was born in India and moved to China at the age of 14. \u201cThat is: The Chinese cannot be trusted.\u201d<\/p>\n Under Prime Minister Narendra Modi, India has made it a priority to increase its cultural influence around the world. The country has sought to burnish its spiritual image by promoting itself as the birthplace of Buddhism and yoga. Indian novelists and poets have gained global name recognition around the world,\u00a0even in China<\/a>. There is also Bollywood, which has put Indian filmmaking on the map, while global hits like \u201cSlumdog Millionaire\u201d and, more recently, \u201cLion,\u201d have given a prominent platform to Indian actors and stories.<\/p>\n Similarly, China has made no secret of its soft power ambitions. The outcome of its most ambitious soft power project to date \u2014 President Xi Jinping\u2019s $1 trillion\u00a0One Belt, One Road<\/a>\u00a0initiative \u2014 remains to be seen. Official news outlets like China Central Television and Xinhua have ramped up overseas operations as part of a broader effort to report global news\u00a0\u201cfrom a Chinese perspective.\u201d<\/a><\/p>\n Some of China\u2019s attempts to project cultural influence have stumbled. An ambitious initiative to set up Confucius Institutes on university campuses, for example, has attracted widespread criticism. And despite having made huge investments to build up its film industry, China has struggled to produce a big crossover hit since Ang Lee\u2019s \u201cCrouching Tiger, Hidden Dragon\u201d in 2000. Even Zhang Yimou\u2019s\u00a0\u201cThe Great Wall\u201d<\/a>, thought to be China\u2019s best shot in recent years at making a global blockbuster, mostly\u00a0flopped<\/a>\u00a0at box offices outside China.<\/p>\n Some have come out in defense of the Chinese film industry, arguing that it is still relatively young. But the discussion around \u201cDangal\u201d came at a time when many Chinese are expressing concerns that their film industry \u2014 in its quest to catch up with Hollywood \u2014 has become too narrowly focused on profit and entertainment over quality and substance.<\/p>\n \u201cIn China, the decisions are made by the people who have money,\u201d said Gu Wancheng, senior vice president at Peacock Mountain Films, which specializes in Chinese and Indian collaborations. \u201cBut these people typically don\u2019t have a feeling for a good story. They would rather invest in big stars or special effects.\u201d<\/p>\n Perhaps going back to basics and taking lessons from Bollywood, some say, could mitigate that problem.<\/p>\n China Fears India May Be Edging It Out in Culture : \u0926\u0902\u0917\u0932 \u092b\u093f\u0932\u094d\u092e \u0915\u093e \u0905\u0938\u0930… more \n